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Los resultados indican que, aunque el enfoque patriarcal tradicional
         sigue presente, en estas producciones se da cabida a representaciones

         alternativas y novedosas de los roles desempeñados por mujeres y del

         modo en que deciden afrontar la maternidad. Esto se traduce en per-

         sonajes femeninos complejos y fuertes cuyos comportamientos no se

         corresponden con los patrones de la ficción clásica.






         Palabras clave: género, maternidad, mujer, audiovisual, series,
         ficción







         Abstract: This paper analyses four audiovisual products in fiction se-

         ries format produced in Spain in recent years and broadcast on free-
         to-air television or video-on-demand platforms that have been suc-

         cessful in terms of critics and audiences. The general objective is to

         study the representations that the series project in terms of women,
         gender roles and the treatment of classic motherhood, alternative

         models and non-motherhood. The tools used to obtain data were

         a documentary review of promotional material and a critical analy-

         sis of the discourse from a feminist perspective of the episodes that

         conform the series. The results indicate that, although the tradition-
         al patriarchal approach is still present, in these productions there is

         space for alternative and novel representations of the roles played by

         women and the way in which they decide to face motherhood. This
         results in complex and strong female characters whose behaviour

         does not correspond to the patterns of classic fiction.







         Keywords: gender, motherhood, women, audiovisuals, series, fiction




















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                Revist a  de  al ce s XXI                                                                                                                                       Número  5 , 2021-2023
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