Page 84 - Revista4
P. 84

el límite del estado democrático (1978-…). 2007. Duke                                                          Viñas, Carles. Rock per la independència: la reivindicació na-

                  University, tesis doctoral.                                                                                             cionalista al rock català. Columna, 2006.





         Shildrick, Tracy & Robert MacDonald. “In Defence of Sub-                                                                Zallo, Ramón. “Camus Bergareche, Bruno: Para entender

                  culture: Young People, Leisure and Social Divisions.”                                                                   la cultura vasca”. Revista Internacional de los Estudios

                  Journal of Youth Studies, vol. 9, no. 2, 2006, pp. 125-                                                                 Vascos, RIEV, vol. 58, no. 1, 2013, pp. 227-36.

                  40.





         Silva, Augusto Santos, Paula Guerra y Helena Santos. “When

                  art meets crisis: the Portuguese story and beyond.” So-

                  ciologia, Problemas e Práticas, no. 86, 2018, pp. 27-43.





         Street, John, Seth Hague y Heather Savingy. “Playing to the

                  Crowd: The Role of Music and Musicians in Political

                  Participation.” British Journal of Politics and Interna-

                  tional Relations, vol. 10, no. 2, 2008, pp. 269-85.





         Thornton, Sarah. Club Cultures. Music, Media and Subcul-

                  tural Capital. Polity, 1995.





         Urla, Jacqueline. “We are all Malcolm X! Negu Gorriak,

                  Hip Hop and the Basque Political Imaginary.” Global

                  Noise: Rap and Hip Hop Outside the USA, editado por

                  T. Mitchell, 2001, pp. 171-93. Wesleyan UP.





         Valassopoulos, Anastasia y Dalia Said Mostafa. “Popular

                  Protest Music and the 2011 Egyptian Revolution.” Po-

                  pular Music and Society, vol. 37, no. 5, 2014, pp. 638-


                  59.









       84                                                                                                                                                                                                                              85
                  Revist a   de   alces XXI                                                                                                                                           Número  4 , 2019-2020
   79   80   81   82   83   84   85   86   87   88   89